Section 108
Socrates. And also as many times as is better?
Alcibiades. As many.
Socrates. And also at the time when it is better?
Alcibiades. Certainly.
Socrates. But must one who is singing also sometimes play the lyre to accompany the song, and step in time?
Alcibiades. Yes, he must.
Socrates. Then at the time when it is better?
Alcibiades. Yes.
Socrates. And as many times as is better?
Alcibiades. I agree.
Socrates. What then? Since you named "better" in both cases, both in playing the lyre to accompany the song and in wrestling, what do you call the "better" in playing the lyre? Just as I call the "better" in wrestling "gymnastic", what do you call the former?
Alcibiades. I don't understand.
Socrates. But try to imitate me. For I answered, I suppose, that it is that which is always correct; and surely what is according to the art is correct, is it not?
Alcibiades. Yes.
Socrates. And the art was gymnastic, wasn't it?
Alcibiades. How could it not be?
Socrates. And I said that the "better" in wrestling is gymnastic.
Alcibiades. Yes, you did say that.
Socrates. And didn't I speak well?
Alcibiades. It seems so to me.
Socrates. Come then, you too—for it would be fitting for you too, I suppose, to converse well—tell me first, what is the art by which one plays the lyre and sings and steps correctly? What is the whole thing called? Are you not yet able to say?
Alcibiades. No, indeed.
Socrates. Try it this way: who are the goddesses whose art it is?
Alcibiades. Do you mean the Muses, Socrates?
Socrates. I do. See then: what name does the art derive from them?
Alcibiades. You seem to mean music.
Socrates. I do mean that. What then is the thing done correctly according to this art? Just as in the other case I told you that what is according to the art correctly is gymnastic, what do you say it is here? How is it done?
Alcibiades. Musically, it seems to me.
Socrates. You speak well. Come then, what do you name the "better" in making war and the "better" in being at peace? Just as in the other cases you called the "better" thing, on the one hand, more musical, and on the other, more gymnastic; try to say what the "better" is here too.
Alcibiades. But I have no idea at all.
Τμῆμα 108
ΣΩ. ἆρα καὶ τοσαῦτα ὅσα ἄμεινον;
ΑΛ. τοσαῦτα.
ΣΩ. οὐκοῦν καὶ τότε ὅτε ἄμεινον;
ΑΛ. πάνυ γε.
ΣΩ. ἀλλὰ μὴν καὶ ᾁδοντα δεῖ κιθαρίζειν ποτὲ πρὸς τὴν ᾠδὴν καὶ βαίνειν;
ΑΛ. δεῖ γάρ.
ΣΩ. οὐκοῦν τότε ὁπότε βέλτιον;
ΑΛ. ναί.
ΣΩ. καὶ τοσαῦθʼ ὅσα βέλτιον;
ΑΛ. φημί.
ΣΩ. τί οὖν; ἐπειδὴ βέλτιον μὲν ὠνόμαζες ἐπʼ ἀμφοτέροις, τῷ τε κιθαρίζειν πρὸς τὴν ᾠδὴν καὶ τῷ προσπαλαίειν, τί καλεῖς τὸ ἐν τῷ κιθαρίζειν βέλτιον, ὥσπερ ἐγὼ τὸ ἐν τῷ παλαίειν καλῶ γυμναστικόν· σὺ δʼ ἐκεῖνο τί καλεῖς;
ΑΛ. οὐκ ἐννοῶ.
ΣΩ. ἀλλὰ πειρῶ ἐμὲ μιμεῖσθαι. ἐγὼ γάρ που ἀπεκρινάμην τὸ διὰ παντὸς ὀρθῶς ἔχον, ὀρθῶς δὲ δήπου ἔχει τὸ κατὰ τὴν τέχνην γιγνόμενον· ἢ οὔ;
ΑΛ. ναί.
ΣΩ. ἡ δὲ τέχνη οὐ γυμναστικὴ ἦν;
ΑΛ. πῶς δʼ οὔ;
ΣΩ. ἐγὼ δʼ εἶπον τὸ ἐν τῷ παλαίειν βέλτιον γυμναστικόν.
ΑΛ. εἶπες γάρ.
ΣΩ. οὐκοῦν καλῶς;
ΑΛ. ἔμοιγε δοκεῖ.
ΣΩ. ἴθι δὴ καὶ σύ—πρέποι γὰρ ἄν που καὶ σοὶ τὸ καλῶς διαλέγεσθαι—εἰπὲ πρῶτον τίς ἡ τέχνη ἧς τὸ κιθαρίζειν καὶ τὸ ᾁδειν καὶ τὸ ἐμβαίνειν ὀρθῶς; συνάπασα τίς καλεῖται; οὔπω δύνασαι εἰπεῖν;
ΑΛ. οὐ δῆτα.
ΣΩ. ἀλλʼ ὧδε πειρῶ· τίνες αἱ θεαὶ ὧν ἡ τέχνη;
ΑΛ. τὰς μούσας, ὦ Σώκρατες, λέγεις;
ΣΩ. ἔγωγε. ὅρα δή· τίνα ἀπʼ αὐτῶν ἐπωνυμίαν ἡ τέχνη ἔχει;
ΑΛ. μουσικήν μοι δοκεῖς λέγειν.
ΣΩ. λέγω γάρ. τί οὖν τὸ κατὰ ταύτην ὀρθῶς γιγνόμενόν ἐστιν; ὥσπερ ἐκεῖ ἐγώ σοι τὸ κατὰ τὴν τέχνην ἔλεγον ὀρθῶς, τὴν γυμναστικήν, καὶ σὺ δὴ οὖν οὕτως ἐνταῦθα τί φῄς; πῶς γίγνεσθαι;
ΑΛ. μουσικῶς μοι δοκεῖ.
ΣΩ. εὖ λέγεις. ἴθι δή, καὶ τὸ ἐν τῷ πολεμεῖν βέλτιον καὶ τὸ ἐν τῷ εἰρήνην ἄγειν, τοῦτο τὸ βέλτιον τί ὀνομάζεις; ὥσπερ ἐκεῖ ἐφʼ ἑκάστῳ ἔλεγες τὸ ἄμεινον, ὅτι μουσικώτερον καὶ ἐπὶ τῷ ἑτέρῳ, ὅτι γυμναστικώτερον· πειρῶ δὴ καὶ ἐνταῦθα λέγειν τὸ βέλτιον.
ΑΛ. ἀλλʼ οὐ πάνυ τι ἔχω.