Hence this very truth has been observed by certain persons both in our day and in former times—that the Spartan cult is much more the pursuit of wisdom than of athletics; for they know that a man’s ability to utter such remarks is to be ascribed to his perfect education. Such men were Thales of Miletus, Pittacus of Mytilene, Bias of Priene, Solon of our city, Cleobulus of Lindus, Myson of Chen, and, last of the traditional seven, Chilon of Sparta. All these were enthusiasts, lovers and disciples of the Spartan culture; and you can recognize that character in their wisdom by the short, memorable sayings that fell from each of them they assembled together and dedicated these as the first-fruits of their lore to Apollo in his Delphic temple, inscribing there those maxims which are on every tongue—Know thyself
and Nothing overmuch.
To what intent do I say this? To show how the ancient philosophy had this style of laconic brevity; and so it was that the saying of Pittacus was privately handed about with high approbation among the sages—that it is hard to be good. Then Simonides, ambitious to get a name for wisdom, perceived that if he could overthrow this saying, as one might some famous athlete, and become its conqueror, he would win fame himself amongst men of that day. Accordingly it was against this saying, and with this aim, that he composed the whole poem as a means of covertly assailing and abasing this maxim, as it seems to me. Footnote 1In this view of the purpose of the poem (which is to show that there is no lasting perfection in human life), and in the detailed commentary that follows, Socrates is aping the disquisitions of the more literary sophists (e.g., Hippias, who warmly approves, Plat. Prot. 347a).
Now let us all combine in considering whether my account is really true. The opening of the ode must at once appear crazy if, while intending to say that it is hard for a man to become good, he inserted indeed.
There is no sort of sense, I imagine, in this insertion, unless we suppose that Simonides is addressing himself to the saying of Pittacus as a disputant: Pittacus says—It is hard to be good; and the poet controverts this by observing—No, but to become good, indeed, is hard for a man, Pittacus, truly—not truly good; he does not mention truth in this connexion, or imply that some things are truly good, while others are good but not truly so: this would seem silly and unlike Simonides.