ACT V
SCENE I. Belmont. The avenue to Portia’s house.
Who comes so fast in silence of the night?
A friend.
A friend! What friend? Your name, I pray you, friend?
Who comes with her?
Sola, sola! wo ha, ho! sola, sola!
Who calls?
Sola! Did you see Master Lorenzo? Master Lorenzo! Sola, sola!
Leave holloaing, man. Here!
Sola! Where, where?
Here!
Tell him there’s a post come from my master with his horn full of good news. My master will be here ere morning.
How sweet the moonlight sleeps upon this bank! Here will we sit and let the sounds of music Creep in our ears; soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patens of bright gold. There’s not the smallest orb which thou behold’st But in his motion like an angel sings, Still quiring to the young-eyed cherubins; Such harmony is in immortal souls, But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it.
Come, ho! and wake Diana with a hymn. With sweetest touches pierce your mistress’ ear, And draw her home with music.
I am never merry when I hear sweet music.
When the moon shone we did not see the candle.
It is your music, madam, of the house.
Silence bestows that virtue on it, madam.
Dear lady, welcome home.
No more than I am well acquitted of.
A quarrel, ho, already! What’s the matter?
He will, and if he live to be a man.
Ay, if a woman live to be a man.
I am th’ unhappy subject of these quarrels.
Sir, grieve not you. You are welcome notwithstanding.
Here, Lord Bassanio, swear to keep this ring.
By heaven, it is the same I gave the doctor!
I am dumb.
Were you the doctor, and I knew you not?
Were you the clerk that is to make me cuckold?