Prayer in the Bahá’í Faith refers to two distinct concepts: obligatory prayer and devotional prayer (general prayer). Both types of prayer are composed of reverent words which are addressed to God, and the act of prayer is one of the most important Bahá’í laws for individual discipline.

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O God! Refresh and gladden my spirit. Purify my heart. Illumine my powers. I lay all my affairs in Thy hand. Thou art my Guide and my Refuge. I will no longer be sorrowful and grieved; I will be a happy and joyful being. O God! I will no longer be full of anxiety, nor will I let trouble harass me. I will not dwell on the unpleasant things of life.

O God! Thou art more friend to me than I am to myself. I dedicate myself to Thee, O Lord.

—‘Abdu’l-Bahá

Brigadier Gerard is the hero of a series of comic short stories by British writer Arthur Conan Doyle. The hero, Etienne Gerard, is a Hussar in the French Army during the Napoleonic Wars. Gerard’s most notable attribute is his vanity — he is utterly convinced that he is the bravest soldier, greatest swordsman, accomplished horseman and gallant lover in all France. Gerard is not entirely wrong since he displays notable bravery on many occasions, but his self-satisfaction undercuts this quite often. Obsessed with honour and glory, he is always ready with a stirring speech or a gallant remark to a lady.

Conan Doyle, in making his hero a vain, and often rather uncomprehending Frenchman, was able to satirise both the stereotypical English view of the French, and — by presenting them from Gerard’s baffled point of view – English manners and attitudes.

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The Baron was standing in the middle of the room, his tangled mane bristling like an angry lion. He was, as I have said, a huge man with enormous shoulders; and as he stood there, with his face flushed with rage and his sword advanced, I could not but think that, in spite of all his villainies, he had a proper figure for a grenadier. The lady lay cowering in a chair behind him. A weal across one of her white arms and a dog-whip upon the floor were enough to show that our escape had hardly been in time to save her from his brutality. He gave a howl like a wolf as we broke in, and was upon us in an instant, hacking and driving, with a curse at every blow.

The Aeneid (/əˈniːɪd/; Latin: Aeneis [ajˈneːis]—the title is Greek in form: genitive case Aeneidos) is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who travelled to Italy, where he became the ancestor of the Romans. It is composed of roughly 10,000 lines in dactylic hexameter. The first six of the poem’s twelve books tell the story of Aeneas’s wanderings from Troy to Italy, and the poem’s second half tells of the Trojans’ ultimately victorious war upon the Latins, under whose name Aeneas and his Trojan followers are destined to be subsumed.

The hero Aeneas was already known to Greco-Roman legend and myth, having been a character in the Iliad, composed in the 8th century BC. Virgil took the disconnected tales of Aeneas’ wanderings, his vague association with the foundation of Rome and a personage of no fixed characteristics other than a scrupulous piety, and fashioned this into a compelling founding myth or nationalist epic that at once tied Rome to the legends of Troy, glorified traditional Roman virtues and legitimized the Julio-Claudian dynasty as descendants of the founders, heroes and gods of Rome and Troy.

John Dryden (9 August 1631 – 1 May 1700) was an influential English poet, literary critic, translator, and playwright who dominated the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Walter Scott called him “Glorious John.” He was made Poet Laureate in 1667.

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“Then am I vanquish’d? must I yield?” said she,
“And must the Trojans reign in Italy?
So Fate will have it, and Jove adds his force;
Nor can my pow’r divert their happy course.
Could angry Pallas, with revengeful spleen,
The Grecian navy burn, and drown the men?
She, for the fault of one offending foe,
The bolts of Jove himself presum’d to throw:
With whirlwinds from beneath she toss’d the ship,
And bare expos’d the bosom of the deep;
Then, as an eagle gripes the trembling game,
The wretch, yet hissing with her father’s flame,
She strongly seiz’d, and with a burning wound
Transfix’d, and naked, on a rock she bound.
But I, who walk in awful state above,
The majesty of heav’n, the sister wife of Jove,
For length of years my fruitless force employ
Against the thin remains of ruin’d Troy!
What nations now to Juno’s pow’r will pray,
Or off’rings on my slighted altars lay?”

Here’s an excerpt:

The Louvre Museum has 8.5 million visitors per year. This blog was viewed about 93,000 times in 2011. If it were an exhibit at the Louvre Museum, it would take about 4 days for that many people to see it.

Click here to see the complete report.

Youth is a science fiction short story by Isaac Asimov. It first appeared in the May 1952 issue of Space Science Fiction and was reprinted in the 1955 collection The Martian Way and Other Stories. Youth is one of the rare Asimov stories with alien characters.

According to Project Gutenberg, this story’s copyright was not renewed, and is now in the public domain. This is the only Asimov story known to be out of copyright.

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The Industrialist pointed out the window. “You see that road. It was built Beforethewars. I don’t know exactly when. It is as good now as the day it was built. We couldn’t possibly duplicate it now. The race was young when that was built, eh?”

“Then? Yes! At least they weren’t afraid of new things.”

“No. I wish they had been. Where is the society of Beforethewars? Destroyed, Doctor! What good were youth and new things? We are better off now. The world is peaceful and jogs along. The race goes nowhere but after all, there is nowhere to go. They proved that. The men who built the road. I will speak with your visitors as I agreed, if they come. But I think I will only ask them to go.”

“The race is not going nowhere,” said the Astronomer, earnestly. “It is going toward final destruction. My university has a smaller student body each year. Fewer books are written. Less work is done. An old man sleeps in the sun and his days are peaceful and unchanging, but each day finds him nearer death all the same.”

“Well, well,” said the Industrialist.

“No, don’t dismiss it. Listen. Before I wrote you, I investigated your position in the planetary economy.”

“And you found me solvent?” interrupted the Industrialist, smiling.

“Why, yes. Oh, I see, you are joking. And yet—perhaps the joke is not far off. You are less solvent than your father and he was less solvent than his father. Perhaps your son will no longer be solvent. It becomes too troublesome for the planet to support even the industries that still exist, though they are toothpicks to the oak trees of Beforethewars. We will be back to village economy and then to what? The caves?”

A Christmas Carol is a novella by English author Charles Dickens first published by Chapman & Hall on 19 December 1843. The story tells of sour and stingy Ebenezer Scrooge’s ideological, ethical, and emotional transformation after the supernatural visits of Jacob Marley and the Ghosts of Christmas Past, Present, and Yet to Come. The novella met with instant success and critical acclaim.

The book was written and published in early Victorian era Britain when it was experiencing a nostalgic interest in its forgotten Christmas traditions, and at the time when new customs such as the Christmas tree and greeting cards were being introduced. Dickens’ sources for the tale appear to be many and varied but are principally the humiliating experiences of his childhood, his sympathy for the poor, and various Christmas stories and fairy tales.

The tale has been viewed by critics as an indictment of 19th-century industrial capitalism. It has been credited with restoring the holiday to one of merriment and festivity in Britain and America after a period of sobriety and sombreness. A Christmas Carol remains popular, has never been out of print, and has been adapted to film, stage, opera, and other media.

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“The hour itself,” said Scrooge triumphantly, “and nothing else!”

He spoke before the hour bell sounded, which it now did with a deep, dull, hollow, melancholy ONE. Light flashed up in the room upon the instant, and the curtains of his bed were drawn.

The curtains of his bed were drawn aside, I tell you, by a hand. Not the curtains at his feet, nor the curtains at his back, but those to which his face was addressed. The curtains of his bed were drawn aside; and Scrooge, starting up into a half-recumbent attitude, found himself face to face with the unearthly visitor who drew them: as close to it as I am now to you, and I am standing in the spirit at your elbow.

The Bible (from Greek τὰ βιβλία ta biblia “the books”) refers to any one of the collections of the primary religious texts of Judaism and Christianity. There is no common version of the Bible, as the individual books (Biblical canon), their contents and their order vary among denominations. Mainstream Judaism divides the Tanakh into 24 books, while a minority stream of Judaism, the Samaritans, accepts only five. The 24 texts of the Hebrew Bible are divided into 39 books in Christian Old Testaments, and complete Christian Bibles range from the 66 books of the Protestant canon to the 81 books of the Ethiopian Orthodox Church Bible. The Hebrew and Christian Bibles are also important to other Abrahamic religions, including Islam and the Bahá’í Faith, but those religions do not regard them as central religious texts.

The Bible is the best-selling book in history with approximate sales estimates ranging from 2.5 billion to 6 billion.

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5:6 Blessed are they which do hunger and thirst after righteousness: for they shall be filled.

5:7 Blessed are the merciful: for they shall obtain mercy.

5:8 Blessed are the pure in heart: for they shall see God.

5:9 Blessed are the peacemakers: for they shall be called the children of God.

5:10 Blessed are they which are persecuted for righteousness’ sake: for theirs is the kingdom of heaven.

5:11 Blessed are ye, when men shall revile you, and persecute you, and shall say all manner of evil against you falsely, for my sake.

5:12 Rejoice, and be exceeding glad: for great is your reward in heaven: for so persecuted they the prophets which were before you.

The Kitáb-i-Íqán (Arabic: كتاب الإيقان‎ Persian: كتاب ايقان “The Book of Certitude”) is one of many books held sacred by followers of the Bahá’í Faith; it is their primary theological work. One Bahá’í scholar states that it can be regarded as the “most influential Koran commentary in Persian outside the Muslim world,” because of its international audience. It is sometimes referred to as the Book of Iqan or simply The Iqan.

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In like manner, those words that have streamed forth from the source of power and descended from the heaven of glory are innumerable and beyond the ordinary comprehension of man. To them that are possessed of true understanding and insight the Súrah of Húd surely sufficeth. Ponder a while those holy words in your heart, and, with utter detachment, strive to grasp their meaning. Examine the wondrous behaviour of the Prophets, and recall the defamations and denials uttered by the children of negation and falsehood, perchance you may cause the bird of the human heart to wing its flight away from the abodes of heedlessness and doubt unto the nest of faith and certainty, and drink deep from the pure waters of ancient wisdom, and partake of the fruit of the tree of divine knowledge. Such is the share of the pure in heart of the bread that hath descended from the realms of eternity and holiness.

With the book creator you can create a book containing wiki pages of your choice. You can export the book in different formats (for example PDF or ODF) or order a printed copy.

A terse but rich overview of HTML, XHTML, HTML5, and Dynamic HTML. Includes lists of HTML elements, entities, and colors. The latter part of the book goes into greater detail on specific subjects.

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In 1980, physicist Tim Berners-Lee, who was a contractor at CERN, proposed and prototyped ENQUIRE, a system for CERN researchers to use and share documents. In 1989, Berners-Lee wrote a memo proposing an Internet-based hypertext system. Berners-Lee specified HTML and wrote the browser and server software in the last part of 1990. In that year, Berners-Lee and CERN data systems engineer Robert Cailliau collaborated on a joint request for funding, but the project was not formally adopted by CERN. In his personal notes from 1990 he lists “some of the many areas in which hypertext is used” and puts an encyclopedia first.

Northanger Abbey /nôrth’ān-jur, -ang-gur/ was the first of Jane Austen’s novels to be completed for publication, though she had previously made a start on Sense and Sensibility and Pride and Prejudice. According to Cassandra Austen’s Memorandum, Susan (as it was first called) was written about the years 1798–99. It was revised by Austen for the press in 1803, and sold in the same year for £10 to a London bookseller, Crosby & Co., who decided against publishing. In 1817, the bookseller was content to sell it back to the novelist’s brother, Henry Austen, for the exact sum — £10 — that he had paid for it at the beginning, not knowing that the writer was by then the author of four popular novels. The novel was further revised before being brought out posthumously in late December 1817 (1818 given on the title-page), as the first two volumes of a four-volume set with Persuasion.

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Mrs. Thorpe was a widow, and not a very rich one; she was a good-humoured, well-meaning woman, and a very indulgent mother. Her eldest daughter had great personal beauty, and the younger ones, by pretending to be as handsome as their sister, imitating her air, and dressing in the same style, did very well.

This brief account of the family is intended to supersede the necessity of a long and minute detail from Mrs. Thorpe herself, of her past adventures and sufferings, which might otherwise be expected to occupy the three or four following chapters; in which the worthlessness of lords and attorneys might be set forth, and conversations, which had passed twenty years before, be minutely repeated.

Father Brown is a fictional character created by English novelist G. K. Chesterton, who stars in 52 short stories, later compiled in five books. Chesterton based the character on Father John O’Connor (1870–1952), a parish priest in Bradford who was involved in Chesterton’s conversion to Catholicism in 1922. The relationship was recorded by O’Connor in his 1937 book Father Brown on Chesterton.

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The young Harrogate was left behind for a moment emptying a glass of white wine and lighting a cigarette, as the beauty retired with the banker, the courier and the poet, distributing peals of silvery satire. At about the same instant the two priests in the corner rose; the taller, a white-haired Italian, taking his leave. The shorter priest turned and walked towards the banker’s son, and the latter was astonished to realize that though a Roman priest the man was an Englishman. He vaguely remembered meeting him at the social crushes of some of his Catholic friends. But the man spoke before his memories could collect themselves.

“Mr Frank Harrogate, I think,” he said. “I have had an introduction, but I do not mean to presume on it. The odd thing I have to say will come far better from a stranger. Mr Harrogate, I say one word and go: take care of your sister in her great sorrow.”

“The Legend of Sleepy Hollow” is a short story by Washington Irving contained in his collection The Sketch Book of Geoffrey Crayon, Gent., written while he was living in Birmingham, England, and first published in 1820. With Irving’s companion piece “Rip Van Winkle”, “The Legend of Sleepy Hollow” is among the earliest examples of American fiction still read today.

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He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvellous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spell-bound region. No tale was too gross or monstrous for his capacious swallow. It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover bordering the little brook that whimpered by his schoolhouse, and there con over old Mather’s direful tales, until the gathering dusk of evening made the printed page a mere mist before his eyes. Then, as he wended his way by swamp and stream and awful woodland, to the farmhouse where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination,—the moan of the whip-poor-will from the hillside, the boding cry of the tree toad, that harbinger of storm, the dreary hooting of the screech owl, or the sudden rustling in the thicket of birds frightened from their roost.

Kalimát-i-Maknúnih (کلمات مکنونه) or The Hidden Words is a book written in Baghdad around 1857 by Bahá’u'lláh, the founder of the Bahá’í Faith. This work is written partly in Arabic and partly in Persian.

The Hidden Words is written in the form of a collection of short utterances, 71 in Arabic and 82 in Persian, in which Bahá’u'lláh claims to have taken the basic essence of certain spiritual truths and written them in brief form. Bahá’ís are advised by `Abdu’l-Bahá, the son of Bahá’u'lláh to read them every day and every night and to implement its latent wisdom into their daily lives. He also said that The Hidden Words is “a treasury of divine mysteries” and that when one ponders its contents, “the doors of the mysteries will open.”

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O SON OF BEING! Love Me, that I may love thee. If thou lovest Me not, My love can in no wise reach thee. Know this, O servant.