“The Yellow Wallpaper” is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women’s physical and mental health.
Gilman explained that the idea for the story originated in her own experience as a patient: “the real purpose of the story was to reach Dr. S. Weir Mitchell, and convince him of the error of his ways”. She had suffered years of depression, and consulted a well-known specialist physician who prescribed a “rest cure” which required her to “live as domestic a life as possible.” She was forbidden to touch pen, pencil or brush and allowed only two hours of mental stimulation a day.
After three months and almost desperate, Gilman decided to contravene her diagnosis and started to work again. After realizing how close she had come to complete mental breakdown, she wrote “The Yellow Wallpaper” with additions and exaggerations to illustrate her own misdiagnosis complaint. (Wikipedia)
The furniture in this room is no worse than inharmonious, however, for we had to bring it all from downstairs. I suppose when this was used as a playroom they had to take the nursery things out, and no wonder! I never saw such ravages as the children have made here.
The wall-paper, as I said before, is torn off in spots, and it sticketh closer than a brother—they must have had perseverance as well as hatred.
Then the floor is scratched and gouged and splintered, the plaster itself is dug out here and there, and this great heavy bed which is all we found in the room, looks as if it had been through the wars.
But I don’t mind it a bit—only the paper.
There comes John’s sister. Such a dear girl as she is, and so careful of me! I must not let her find me writing.
She is a perfect and enthusiastic housekeeper, and hopes for no better profession. I verily believe she thinks it is the writing which made me sick!
But I can write when she is out, and see her a long way off from these windows.
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